Yesterday I took the stage at my old high school, spoke into a microphone, and told three hundred teenagers what it was like to come to an affluent private school in a big city from my life on a small sheep farm. There was so much I didn't understand: I had never tasted a Coke or a candy bar; I had no idea how to negotiate the whole boy issue; I had none of the right clothes. There was plenty to share, a couple humorous bits, and all the words came easily.
In my days as a student, though, I had a speech impediment that left me stammering and stuttering in class. I would wade into a discussion trying to force words out of a throat that had tensed and closed. Without graduate school (where I was forced to speak extemporaneously, over and over again) and without my time in the monastery (where I learned to short-circuit a stutter-in-progress by putting my mind in my feet) I would be tongue-tied still. So these days words usually come easily, and even on stage they issued forth neatly and succinctly.
I was supposed to be speaking to the kids, but really I was focused on the row of teachers at the rear of the room. Many of the old-timers who taught me are still at the school; the house lights refracted through their glasses and glinted off the occasional bald head. These were the people who prodded me to think, to stretch my limits, and--most importantly--to write. Words and ideas were available, even if speaking was difficult. I wrote essays and research papers, an epic, and poems. I am still in awe of those ones who guided me, and still feel very much in their debt.
The teacher who had the biggest impact on me, though, is gone. Missing him has become a defining part of my re-experience of the school. The more serious I become about writing, the more motivated--and the more willing to face the mystery of expressing myself in words for the sheer joy of the experience--the more I love and miss the man who taught English my sophomore and junior years.
Bob Ashe, from Northern Ireland, still had an accent after twenty years in the states. He was an avid soccer player and coach; he moved and spoke with the energy of a much younger man. I loved his class, and I wanted so much to please him and earn his respect--which only made the stutter worse! We were on the same wavelength, though; whatever I wrote seemed to please him, and I valued his insight and viewpoint tremendously.
We disagreed once, over abortion. Actually, the whole class disagreed with him. That was the only time I detected sadness in his voice. These days, I'm not sure I would disagree so much, but back then I would not allow myself to consider what he was saying: that actions have consequences, and that by taking action we take on the results of that action.
I never saw Bob Ashe after I graduated. He left the school suddenly, in the wake of allegations of improper conduct with an underage girl he had coached in soccer twenty years before.
When I got the news--it was in the city newspaper--I had to think hard about what I knew about my hero. What could I think? I knew this person, or thought I did; I had confidence in him; and...perhaps he had made a terrible mistake.
I never had the chance to hear Bob's side of things. He moved back to Northern Ireland, and died a few years later. There was no chance to tell him what an incredible and indelible impact he had on me. The school seems empty without him now, as if it's limping along ever so slightly out of kilter. I keep expecting to see him in the hall, or to see his small wiry frame trotting across one of the lawns.
I do encounter Bob quite a bit lately, in dreams. I know what they mean: this teacher of mine embodies the secret part of myself that knows I can write, that knows I can do terrific work if I polish a piece, that finds joy and wonder in the process and in the unexpected result. Bob is my guts, my courage--my often-buried capacity to argue, to be brilliant, and to inspire.
Yesterday as I sat on stage and talked about my old self, about the awkwardness and naiveté and lack-of-wealth that distinguished me from my peers--as I watched the familiar heads at the rear of the room--I saw Bob. It was the strangest thing. I caught him in every glance at that row of teachers' heads. I could almost tell you which seat he was in. But when I looked more closely, I couldn't quite see him.
I wish so much that I could talk to him now. It would be a great conversation. I know what I would say to him about intention and consequence, and becoming the person you feel yourself to be. And I think I know what he would tell me. I need to hear it from someone.
Wednesday, October 25, 2006
Friday, October 20, 2006
Frozen Time
Twenty-five years ago I was behind these eyes. Thinking my ice was just a bit larger than my little sister's. Nothing special, nothing more than that.
That world is now gone; and the present world will have to be gone, too, before I can see this current life at all clearly.
My dad took this photograph--I don't think he ever had it printed. He had slides made, and recently scanned them. So the colors are truer than you might expect from an old photo.
I'm grateful that he took his camera on that winter walk out to our pond. To see this shot for the first time today gives me a feeling I can't describe. Like finding something I didn't know was lost; like finding out how much is in fact, lost.
That world is now gone; and the present world will have to be gone, too, before I can see this current life at all clearly.
My dad took this photograph--I don't think he ever had it printed. He had slides made, and recently scanned them. So the colors are truer than you might expect from an old photo.
I'm grateful that he took his camera on that winter walk out to our pond. To see this shot for the first time today gives me a feeling I can't describe. Like finding something I didn't know was lost; like finding out how much is in fact, lost.
Tuesday, October 17, 2006
Buddhas Functioning in the World
How does the inner wisdom manifest in the outer world?
By means of our thousand arms, working according to the tool at hand.
By means of a thousand heart-rooted eyes observing things as they are.
By means of our thousand arms, working according to the tool at hand.
By means of a thousand heart-rooted eyes observing things as they are.
Sunday, October 15, 2006
The Outer World: Birthday Party
Friday, October 13, 2006
End of Story
A great flower darkens the sky
dusky petals mile-long veins
One word; it shatters
The light goes everywhere.
I forget, again and again, how good the truth tastes.
Saturday, October 07, 2006
Note to Self
When stressed and worried, it's not enough to stretch and breathe and try to move ch'i in the body.
The emotions and mental state are the source of the imbalance. These worries born of worry need to be addressed at the level of the heart.
So: when worry arises, to cultivate openheartedness, curiousity and surrender. The sense that, if I allow it, the right response will come forward. That our every experience is the ripening and the coalescing of new karma.
So much energy is lost to worry, and so much inner devastation is wreaked--to no benefit--on its account.
The emotions and mental state are the source of the imbalance. These worries born of worry need to be addressed at the level of the heart.
So: when worry arises, to cultivate openheartedness, curiousity and surrender. The sense that, if I allow it, the right response will come forward. That our every experience is the ripening and the coalescing of new karma.
So much energy is lost to worry, and so much inner devastation is wreaked--to no benefit--on its account.
Wednesday, October 04, 2006
On the Bus
Since moving to Portland, the city bus system has been my primary mode of transportation. The Tri-Met bus drivers are a special breed. This morning the driver, who seemed quite normal in every other respect, was flossing his teeth at the stoplights. Last night on the 15, the driver was offering peculiar comedic insights over the PA system.
Of course the passengers can be pretty odd as well. I'm thinking of the giant transvestite who shared my space last night, perfectly coiffed and muttering to herself.
Often when I ride I occupy myself with some silent chanting. The Metta Sutta is best; it speaks so movingly to the tableau of human life sighing and quivering and ranting all around.
Of course the passengers can be pretty odd as well. I'm thinking of the giant transvestite who shared my space last night, perfectly coiffed and muttering to herself.
Often when I ride I occupy myself with some silent chanting. The Metta Sutta is best; it speaks so movingly to the tableau of human life sighing and quivering and ranting all around.
Subscribe to:
Posts (Atom)



